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SJ-2 Version 1.3

Pulse Width Modulation Both of the SJ-2’s oscillators have the option of selecting a pulse wave, which looks like this: The pulse waves have a featu

Pulse width & pulse width modulation are so important that the SJ-2 has a section dedicated to them:The controls labelled ‘PW’ set the pulse width

Meet the SJ-2’s Filter 38214567As mentioned in the introduction, considerable effort has gone into giving the SJ’s low pass filter that extra bit of ‘

38214567CUT-OFF FREQUENCY (2) - sets the cut-off frequency of the filter. RESONANCE (3) REZ - sets the resonance of the filter.ENVELOPE SOURCE (4) -

Meet the SJ-2’s envelopesThe SJ-2 has two ADSR type envelopes, which can be scaled by velocity and key-tracking Envelopes are triggered when a key is

The SJ-2 has two envelopes, both triggered simultaneously by depressing a key. The output of these envelopescan be assigned to various parts of the s

8 Key follow: These sliders affect the intensity of the envelope generators according to how high upthe keyboard a particular key is pressed. High s

At extreme settings, the peak of an SJ-2 envelope can be so snappy that it becomes important to co-ordinatethe attack times of the two envelopes, in o

Low Frequency OscillatorLFO DestinationsJust like the SJ-2’s main oscillators, the low frequency oscillator (LFO) creates waveforms. You can select fr

Contents Getting Started Introduction...3Installation...

The SJ-2 control panel provides all the input you need to effectively control the synthesizer. Here, you will findmaster volume and master tune knobs

UNISON MODEThe SJ-2 can play a maximum of 6 notes at the same time. Use the switch in the Unison mode section to layermultiple notes under each key. H

Continuous Control & Midi Learn Right click on any switch or knob to bring up a menu which will allow you to either manually assign

Frequencyintensity (volume)The basics... You may think of a synthesizer filter as being rather like a single ‘tone’ control that you might find o

8 Frequency and Waveforms...a little bit of magic!It just so happens that sound waves don’t like to propagate through air in any form

When an equalizer (EQ) or filter is applied to a sound, it is adjusting the relative balance of the component sine waves in that sound. A sound which

TROUBLESHOOTING & KNOWN ISSUES These issues apply to SJ-2 version 1.3 and may be resolved in subsequent versions. Default

CREDITS We would like to thank the following contributors: Jeff McClintock. David Haupt, Daz Disley, Rob Herder, Rick Jelliffe, Christian-W. Bud

3D Anaglyph representation of the Manx SJ-2 Synthesizer.

Other Manx Instruments:Thanks for going with the SJ-2!Bit 100 v2 MM-2 XS-4 Destiny v2 Gigmate v2 http://www.manxsynthesizers.com/

2 Introduction Congratulations on acquiring the Manx SJ-2 synthesizer. We hope you will find the rich, organic sound of the instrument to be as sat

4 Getting Started

The SJ-2 features two fully loaded oscillators; you can control the pitch and basic wave-shape of each, from the oscillator panel shown above.Whilst t

KEY FOLLOW (3) There are several factors which determine the pitch of the SJ-2’s oscillators, besides their specific tuningsettings; other factors inc

5544OSCILLATOR CROSS MODULATION (4) Yet another factor which can affect the pitch of oscillator 2 is the output from oscillator 1; that is oscillator