Manx Destubt V2 Guia do Utilizador descarregar pdf (Página 11)

Meet the Bit-100 v2’s Filter

Whilst the Bit 100’s filter may appear mundane to those familiar with synthesis, it can really deliver,

especially when controlled by the Bit 100’s snappy envelopes. It’s a crucial contributor to the distinctive

character of the Bit100, being loosely based SEM 3388 filter chips.

If you are not already familiar with synthesis, I have provided a brief introduction to the subject of filters in

Appendix #2.

This section assumes knowledge of synthesizer filters and focuses on issues pertinent to the Bit 100 v2.

The instrument features a single low pass filter (per voice).

10 Programming -Filter

CUT CUT-OFF FREQUENCY (1)

- sets the cut-off frequency of the filter.

RES RESONANCE (2)

- sets the resonance amount.

ENV ENVELOPE AMOUNT (3)

- The Bit 100 v2 features an envelope generator specifically for use with the filter; its parameters

are embeded in the filter section of the parameter map.

Envelopes are discussed in detail later, so we won’t go there now, but parameters (6-9) control

the following envelope attributes:

A - Attack D - Decay S - Sustain R - Release.

The parameter (10), labelled A controls velocity data to attack time.

With this set above zero, a harder strike produces a quicker attack, relative to the overall

attack setting (6).

CAUTION: Turning up the resonance can lead to a profound increase in

sound volume, perhaps unexpectedly. Please consider both your speakers

and your ears and use this feature cautiously.

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